Ropeadope Artist Adam Ahuja stepped right into the label world with the launch of Infinity Gritty, a music community, think tank, and consultancy organization that release great music as well. The first album from the new project is a self titled gem from E. Scott Lindner, released on July 28th. A New York City based producer, Scott assembled 2 drummers, percussion, upright/electric bass, trumpet, saxophone, Rhodes, B3 organ, synths, and electric guitar. He booked a studio for 3 full days, and in that time, the musicians collaboratively wrote and recorded 8 compositions which were then performed and recorded live in the studio. The result is stunning.
This record. Powerful, intricate, filled with layers of groove and intensity.(U)nity is that band that every musician digs, and just to demonstrate they popped a voicemail from Robert Glasper into the middle and flipped it Cuban style. If you go back and give your attention to one album from 2017, this is the one.
The core: Michael Valeanu, Axel Tosca Laugart, Chris Smith, Max Cudworth and Amaury Acosta have created an unlikely collaboration, ranging from a multitude of cultural backgrounds: Paris, Havana, Minneapolis, Providence and NYC. In their mission of fusing Afro Cuban culture with modern jazz, soul, hip-hop and gospel.
(U)nity is Power features Pino Palladino, Cuban percussionist and vocalist Pedrito Martinez, multi-instrumentalist Devonne Harris (AKA DJ Harrison), vocalists Jonathan Hoard, Lauren Desberg, flutist Elena Pinderhughes, and bassists Luques Curtis, Dj Ginyard, and Joshua Crumbly
His mother performed with the Supremes. His father is a well known Saxophonist and writer. Both were original members of Stevie Wonder’s Wonderland band. Yes, that Stevie Wonder band. His grandfather, Ira Tucker Sr. is credited as a forefather of Gospel music as a member of the Dixie Hummingbirds. His Aunt Sundray Tucker sang with Stevie Wonder and Patti LaBelle.
In his first year of High School Trevor was called for a recording session to play drums on the original theme song on the Pilot episode of a show called Martin and right then he decided that his life would be in recording. Fast forward to 2017 and you’ll find some 73 recording credits in his discography including Bruno Mars, Ed Sheeran, Snoop, Quincy, Alicia Keys, LeAnn Rimes, Kendrick Lamar, Stevie Wonder, Eminem, and Dr. Dre. Trevor Lawrence Jr. is on call for some of the biggest names, and still hits the road as a player with Herbie Hancock, LeAnn Rimes, and more. Trevor is the hard hitting drummer with Terrace Martin’s new group, The Pollyseeds, whose recent debut single topped 1 milllion plays on soundcloud in its first few days.
These are prolific times for music creation and production, both in and out of the mainstream music world. Trevor Lawrence Jr, like so many of the artists that find their way to Ropeadope, has gone deep into his experience and his family of talented friends to create Relationships, his first solo record. Clearly bringing together the variety of people he has worked with, Relationships is a wide ranging record, seamlessly connected by a seasoned producer. Featured players include Terrace Martin, Kenneth Crouch, Nicholas Payton, Maurice Brown, LeAnn Rimes, Kamasi Washington, and Nico Segal (Donnie Trumpet). This is the world according to Trevor Lawrence Jr, and it shines with diversity and depth.
Produced by Terrace Martin, led by the whole band, The Pollyseeds jumped onto the scene this year with a Crenshaw meets Detroit by way of Philly vibe. The band is a rotating cast of consummate musicians: Terrace Martin, Rose Gold, Brandon Eugene Owens, and Trevor Lawrence Jr, Robert Glasper, Kamasi Washington, Wyann Vaughn, Marlon Williams, Chris Cadenhead, Chachi (aka Problem), Craig Brockman, and Robert 'Sput' Searight. Their debut record, Sounds Of Crenshaw Vol 1, delivered an instantly recognizable Los Angeles soul sound.
JUAN PABLO ARREDONDO, guitarist and composer, was born in the city of Campana Province of Buenos Aires Argentina on November 2, 1978. His musical versatility and his understanding of the instrument have allowed him to be part of a number of groups throughout his career, working with artists from Mariana Baraj, Lucia Pulido, Donny Mc Caslin, Fernando Tarres, Ernesto Jodos, Mark Helias, Tony Malaby, Ches Smith, John Hollembek, Rodrigo Domínguez, Sergio Verdinelli, Luis Nacht, Hernan Merlo, Mariano Otero, Teo Cromberg, Hernan Hecht and Brian Adler. Juan Pablo he has recorded dozens of records as soloist and as sideman in Europe, Mexico, Brazil, USA, Paraguay and the Dominican Republic.
Juan Pablo Arredondo presents his new album PIV MIDI with the TOXI Trio, recorded in Mexico City in 2015.
PIV MIDI is the realization of years of shared experiences between Juan Pablo, bassist Jerónimo Carmona and drummer Hernán Hecht, culminating in the session documented here, after a 2015 tour in Mexico visiting some of the country’s most celebrated jazz and creative music venues.
Contemporary music, Jazz, free improvisation, folk and rock play equal parts in the compositions of Juan Pablo, creating a music that is expansive and free, touching on soundscapes but ultimately lying in the vast genre that is modern jazz.
Transplanted in space and time, drummer Arthur Vint rocks cowboy boots and a bolo, even at The Village Vanguard. His unique perspective delivers sounds of the Southwest in Jazz clothing on his debut album with Ropeadope - Through The Badlands. This year Arthur brought us a new project that developed from his work with Brooklyn's Nitehawk cinema, performing before a screening of the film The Good, The Bad, and The Ugly. Arthur reconvenes his Associates - Ian Stapp (bass) Jon Cowherd (piano, organ) Tony Scherr (electric guitar) Roy Williams (acoustic guitar) Andrew Halchak (bass clarinet, clarinet, flute) Rich Perry (tenor sax) Blanca Cecilia González (violin) and Yvonnick Prene (harmonica) to reconfigure and celebrate the music of Ennio Morricone. Although Morricone's music has been revisited many times, Vint & Associates offer a new treatment with fresh orchestrations and extended sections for improvisation.
It's no secret - we are huge fans of Aaron Dolton and his brother Mike. There's no pretense, there's just a groove. HUW has released four albums here at Ropeadope, each time a graceful and beautiful listen, with at least one track hitting the permanent in-office playlist. on Music From The Multiverse, Aaron takes a new step forward with alluring vocals from Jube, and the lead track is one of those songs that we can't and won't stop listening to. Drop into the world of HUW right here.
Digable Planets released their first album in 1993. Reachin’ (A New Refutation of Time and Space) hit the airwaves and was certified Gold by the RIAA. The lead single, Rebirth of Slick (Cool Like Dat) was a crossover Top 20 Billboard hit. While ATCQ and De La Soul had their spin, Digable Planets integrated soul and jazz into Hip-Hop in a fresh new way that broadened the genre musically and stylistically. Their look and vibe evaded Hip-Hop stereotypes at any early stage; one had the sense at the time that Hip-Hop was a vast cultural concept.
The trio went even further with their second album, Blowout Comb, organically integrating soul, jazz, and live instrumentation with social consciousness and positive observations on life. Blowout Comb was more serious, with political reference and imagery, which of course set the path for less commercial possibilities. Digable Planets called it quits in 1995, as each member went on to accomplished solo careers.
Fast forward to 2017, almost the other end of the evolution of Hip-Hop. A genre that has survived the pressures of the market, but not without collateral damage. We could say the same for the nation, and for just about every other genre. We find ourselves looking for the roots, the authenticity of music and of life. And so, now is the perfect time for Digable Planets, creative leaders with a stake in history, to return to the world stage. On New Year’s Eve 2015/16, the band kicked off a seemingly endless world tour to a chorus of appreciation. Along the way they returned to their culturally native spot – Philadelphia – for two sold out shows at The Ardmore Music Hall. Independent Philly label Artists First Records arranged to record the shows for the sake of history, and now Digable Planets LIVE is out.
The second release in The Centennial Trilogy, Diaspora, is set for release on June 23, 2017. Christian uses the term Diaspora in broadest sense possible. He is referring to the WORLD Diaspora – All peoples, oneness & love. While Ruler Rebel identifies who is speaking, Diaspora identifies the listener – WHO is being spoken to. Growing up in the Upper Ninth Ward of New Orleans, Christian Scott aTunde Adjuah was keenly aware that people of different histories and cultures were enduring the same experiences and challenges. Despite this commonality, they accepted the notion that they we’re not kin and therefore nemesis. Topical ideas like race, religious purview, sexual preference & perceived economic standing ultimately stunt the growth of community, which in turn stunts the growth of Cities and Municipalities, States and Provinces, Nations, and finally our world. A deliberate stretching of styles and genres speak to this fundamental issue and offers a path forward. A path to break down perceived barriers and work together to build a lasting future.
Berlin New Jersey. Not the Berlin of world fame, just a small town in South Jersey where dreams begin. Matt Cappy grew up in Berlin with trumpet in hand, inspired by band concerts where his sister played clarinet, and by his mother’s piano playing. Eager to learn, he played in school and in church, where director Bill Garton and teachers Joe Fallon and Rick Kerber led him forward. Philadelphia’s University Of The Arts was next, and Matt was quickly immersed in the Philly Jazz scene. Keeping his hometown connections strong, he landed a gig through Rick Kerber to play with Tony Bennett in Atlantic City.
And the rest, they say, is history. Matt’s recording credits, as of today, include Michael Jackson, Elvis Costello, Jill Scott, and The Roots. On the road Matt counts Jay-Z, Jill Scott, The Mavericks, Maxwell in a long list of touring credits. Movie credits include Dave Chappelle’s Block Party, and Grammy credits include four records from Fred Hammond, Kirk Franklin, John Legend, The Roots, and Alejandro Sanz.
In short, Matt Cappy knows the ropes. His skill is well known, and his style marks countless performances and recordings. Along the way Matt chose to compose, arrange, and record music, and naturally he drew from his many experiences and the people connected to them. There’s the local Jazz crew – Clay Sears, Steve McKie, Anthony Tidd and others laid down the signature tracks that speak of home, while Marsha Ambrosius, Stephen Costello, and Chill Moody speak of the diversity of Matt’s connections. As the relationships reforged the music, the album evolved to become Church And State, a travelog in the world of Matt Cappy. The names speak for themselves, and the dedication and time that Matt devoted to crafting a full experience are evident upon the very first listen.
This is the world of Matt Cappy
Leyeux is musician and expresser, Jack Snyder. Jack was raised in central Vermont: a tranquil environment which provides a continuous source of inspiration in his music. His first call to music was on the drum set, beginning at age 8. He began performing as a singer and guitarist in high school, playing drums in school jazz band and external professional gigs. From 2013-2015, Jack attended the Berklee College of Music in Boston, MA. During the time at Berklee, he joined Berklee’s a cappella group Pitch Slapped, which competed and won the International Championship of Collegiate A Cappella in the Spring of 2014. His musical awareness as a vocalist and performer grew appreciably during the year and a half in Berklee’s immersive environment. In the Spring of 2015, Jack left Berklee to begin writing and recording with producer Adrian Harpham (NYC), which would develop into the debut LP, Day Is Calling. During the creative process they created the name Leyeux – a permutation of the french word les yeux, meaning the eye. During this time, Leyeux (Jack) began performing shows in Boston and NYC. He self- released four of the songs as “singles” with accompanying music videos. In December of 2015, Jack returned to Vermont to reroot and perform. During the year in VT, additions were made to the Day Is Calling album, namely Tribe of Light, Aftermath, and Day Is Calling ft. Erwan (Remix). In March of 2017, Jack transplanted to Los Angeles to further cultivate his artistry.
Chicago Jazz Soul Hip-Hop outfit Sidewalk Chalk hit us with their next studio album this year, this time with Robert 'Sput' Searight in the producer's chair. Their experience with Sput led the band deeper into themselves, with stunning results. Split into three movements - The Hope, The Loss, and The Birth - An Orchid Is Born shows the band’s remarkable capacity for growth. They see that we cannot be reborn until we lose what we have, first treading in the well of despair that is a loss preceded by hope. In these three movements, Sidewalk Chalk has realized the best version of their band and, in the process, created their most important body of work.The hard fought project encapsulates the latest chapter of the band’s growth as a unit -- a period somehow beautified by a series of deep wounds that might have derailed a less focused collective. Little more than a year removed from the debut of their live album Shoulder Season, a seismic shift rocked the foundations of Sidewalk Chalk, refined their aesthetic and inspired a body of work that is as cathartic as it is the catapult necessary to push the rarefied groove at the foundation of their sound past its Chicago stomping grounds, to points across the globe.
Israeli double-bassist Adam Ben Ezra is a phenomenon who redefines the term 'one man band'. A multi-instrumentalist, Adam brings the bass to the front and weaves influences from Bach to Sting into a live show like no other. His new recording - Pin Drop - captures the full experience as it was recorded live in an intimate studio setting. From Adam's original compositions to a miraculous version of The Beatles 'Dear Prudence', Pin Drop is a delightful journey. Adam recently toured the US and performed live with a Marimba playing robot, as if to further demonstrate that he is pioneering our future. See Adam Ben Ezra in his element right here.
We can guarantee you that THIS is the most under-rated and overlooked album of 2017. These are the times we live in, when gems lie right in front of us and we busy ourselves sorting out the rubbish. The name alone got our attention - it is clear that Andrew Neesley and Tim Emmerick know their history. Andrew is a Jazz composer who cut his teeth with Big Bands, and Tim is a songwriter with a serious love of indie rock. Together they distill the energy and craft of a fifteen piece band and make it sound simple, pure, and perfected. And the songs - They are mysterious, longing, and leave you happy. Which is OK, we promise.
For over a decade, Akashic Record has been a crusader for organ driven funk and soul jazz in the Boston music scene. Their fourth release, Big Bang (Spring 2017, Ropeadope), carries forward their consistent approach of producing music that includes soulful melodies, virtuosic soloists and most importantly, a hard grooving rhythm section to ensure that you will be bobbin’ your head! Big Bang is a follow up to their 2013 Ropeadope release Bring It Back, and features Brian Thomas on trombone, Jared Sims on baritone saxophone, Steve Fell on guitar, Peter MaClean on drums, Sam Gilman on organ and Darby Wolf on clavinet and piano. Produced by Akashic Record, Big Bang was once again recorded by Craig Welsch (aka dubfader) at Rear Window Studio and mixed by the incredible Alan Evans (Soulive) at Iron Wax Studios. “We love the basic sounds that Craig is able get. He is a true master. Alan really completes our vision in the mix with his passion for funk and soul jazz. It was really a priority to work with both of them again on Big Bang”, says AR trombonist Brian Thomas.
When Adam Turchin arrived in Los Angeles, he found a gig trading what he knew: saxophones. A chance encounter with saxophonist and producer Terrace Martin changed his life. The two locked in on the intricacies of various vintage reed instruments and Turchin found himself invited to a session that night. Martin, a fixture on the Los Angeles jazz and R&B scene, took the enthusiastic East Coaster under his wing and brought him around town.
And now, Adam Turchin has arrived with a rich album of lush soul and orchestral swells of lysergic wanderlust. His band, which includes Terrace Martin (whose recent Grammy® nominated album, Velvet Portraits, Turchin was heavily involved in, playing tenor and baritone sax and working on the administrative side also) as well as vocalists Rose Gold and Kate Faust, is a tight ensemble, not overwhelmed by guests but instead performed mostly by Turchin. That's not to say that he didn't get some other highly regarded friends such as rapper Javier Starks, trumpeter Josef Leimberg, electric guitarist Marlon Williams, and others join the project.
Sometimes a band comes along that just kicks ass. Escaper is Will Hanza on guitar, stretching out like the whole universe is clearly in his view; Jazz sensibilities with rock fantasies is what we like to call it. Will is joined by friends and bandmates Andrew Nesbitt, Jay Giacomazzo, Adam Ahuja on keys and Johnny Butler on sax. Escaper is taking space-jam-jazz-rock one giant step forward, and while they hit us with this gem - Skeleton Key - in 2017 they've already lined up a new release for 2018. Forget the retro stereotypes, strap on your space boots, and get ready to ride.
Sometimes you drop everything and pay full attention to the task at hand. When the Maestro Eddie Palmieri - a man with a renegade career and nothing BUT quality - calls, well that is one of those times. We're still humbled and honored that Mr. Palmieri chose Ropeadope to release a masterpiece - Sabiduria - in the spring of 2017. The album is a powerful and dizzying blend of funk, soul, jazz and pop with a guiding force (of course) of rhythm.
Sabiduria - which means WISDOM - features appearances from seasoned greats: Bernard Purdie, Ronnie Cuber, Xavier Rivera, Iwao Sado, Camilo Molina, Donald Harrison, Alfredo de la Fe, David Spinozza, and Marcus Miller. Plus a core band of Anthony Carrillo (bongo), Little Johnny Rivero (conga),Luisito Quintero (timbales), and Luques Curtis (bass).
This one of THE records - the ones that stay in your collection year after year and gain value with every listen. It is a timeless statement from one of the world's greatest composers and characters; a man whose legend will light tour way for many generations. Mr. Palmieri, we thank you for your courage, your wild heart, and of course for the music that defines our human nature.
It's clear we are in love with the musicians and the scene in Richmond VA, so we were thrilled when Charles Owens called and mentioned his new project - As One - with the RVA crew of Kelli Strawbridge, Devonne Harris, and Andrew Randazzo. Charles is a veteran of the NYC Jazz scene, having performed with such jazz luminaries as Mark Turner, Brad Mehldau, Omer Avital, Jason Linder, Kurt Rosenwinkel, Brian Blade, Peter Bernstein, Larry Goldings, Jeff Watts, Sam Yahel, and Joel Frahm among many others.
"As One marks several “firsts” for me. First one with electric bass, first one with electric piano, first one with almost no walking bass lines. This electric quartet had its nucleus when I first heard Kelli play drums. I was immediately hooked. He plays with dynamics, and soul. He listens, and can play intensely without over-powering. His time is great and he gets wonderful tones from his instruments. So much excellence… Devonne and Andy are back with for this record except now Andy is on electric bass (his true love)! Andy’s playing is so free and beautiful. He adds so much to the sound and arrangements of the music here. Is there ANYTHING better than having a killin' bass player in your band? I don’t know. Then the genius that is Devonne is now playing keyboards instead of drums. Anyone who knows Devonne is aware of all the instruments he plays so very well. Ever since I met him in 2010 he’s been a powerful musical force in my life.