2018 Countdown | Phil Lassiter

We’ve heard from the great Phil Lassiter before, with two of his projects appearing on the fledgling GroundUp label when it began here at Ropeadope. Phil grew up in the pentecostal tradition in Mobile Alabama; his father was a preacher so Phil was exposed to Gospel and Jazz music and musicians as his own path on piano began. Finding his way to Dallas Texas, Phil hung with the cats - Bernard Wright, Bobby Sparks, Keith Anderson, and Jason Thomas - and developed his trumpet playing as well as major arranging talents. As luck (or should we say hard work) would have it, Phil went on to arrange horns for the late great Prince Rogers Nelson, further establishing himself as a force in the game.

In 2018 Phil’s love of funk and soul led him to a pairing with vocalist Elliott Yamin, and together they made one of the most fun (and funky) records of the year. Party Crashers sets the one from note 1, so it’s easy to categorize it as a party album, but further careful listens bring out soulful ballads like Our Love Is Gold , highlighting both the depth of Yamin’s voice and understanding of the root, and Lassiter’s lush arrangements. So, we’re saying to play it again and again for maximum enjoyment.

2018 Countdown | Javier Santiago

Introduced to us through the renegade, yet pedigreed, cat from (U)nity - Axel Tosca and Amaury Acosta, Javier Santiago is a pianist from Minneapolis was selected by the great Dave Brubeck and a panel of judges to study music at the Brubeck Institute in Stockton, CA - where he studied with some of the greatest musicians in the world such as Christian McBride, Robert Glasper, Nicholas Payton and Joshua Redman. While it is a challenge to be noticed in the digital age, Santiago’s debut album, Phoenix, caught the eyes and ears of many, including being named the top Jazz album of 2018 on the curator’s site Vinyl Me Please.

"It's really too bad that Javier Santiago didn't have a music career in the '70s. He would have filled theaters in every major city with a band like this.” — PopMatters

Phoenix features some badass musicians - Dayna Stephens, Nir Felder, Nicholas Payton, Corey Fonville, Zach Brown, J Hoard and more as Javier takes his place in the vanguard of progressive Jaz players who are reinvigorating the genre with sheer will and fearless creativity.

2018 Countdown | Aeons

Once upon a time we released an album of irish traditional music mixed with Jazz; the band was Notify, led by composer and esteemed concertina virtuoso Padraig Rynne. The album revealed an adventurous mind, so it was no surprise when Padraig introduced us to another well known and accomplished musician from Ireland. Muireann Nic Amhlaoibh is an award-winning traditional singer and musician from Corca Dhuibhne, West Kerry. A leading exponent of the traditional sean nós style, her repertoire also includes songs from a wide variety of folk and contemporary sources. Together Padraig and Muireann are known as Aeons, a vehicle to experiment with traditional Irish music in a progressive setting. The vocals are sublime, the mood is haunting and beautiful, as if one were flying over the countryside in a retro-futuristic dream. Layers of sound drift in and out of the mix, marking time as if to introduce new scenes and characters. Put this one one when you are alone, and fly away.

2018 Countdown | NBOC

After his solo project Free As The Birds , Jay Phelps returned this year with a duo album under the moniker NBOC (Newborn Outcry). The project developed as Phelps and trombonist Courtney Brown (AKA Neeyz) hit the studio to experiment with their common passions of electronic music and Hip-Hop. Using many elements of both genres, the pair kept a sensibility of Jazz and world music as they created a distinct sound. You can feel the edgy desire to make something new, to assemble their unique and their common experiences in music into a cohesive statement.

2018 Countdown | Tosin Aribisala

These are the times of experimentation beyond genre; not necessarily in a deliberate fashion but simply because these are times of crossing cultures and established tradition while simultaneously paying tribute. Tosin Aribisala hails from Nigeria, and the music Tony Allen, King Sunny Ade, and Fela Kuti are as much in his blood as the music of Art Blakey, Bob Marley, and Sting. His 2018 release Afrika Rising draws on his full experience of bearing witness to different cultures and finding a place in both. Currently in Los Angeles, Tosin spent time in Washington DC and New York as he takes the differences in the world and seeks to bring us Unity and hope - "my music is a mixture of African rhythmic textures and some elements of jazz and blues, with lyrics of hope, love and human realities.". Dig in.

2018 Countdown | Rivers On Mars

Avram Fefer, one of the new school old guard top level cats from the New York scene, hit us this year with a new project dubbed Rivers On Mars. The lineup - Greg Tate of Black Rock Coalition and Burnt Sugar Arkestra on the Laptop, On Ka’ Davis of Sun Ra Arkestra on guitar, Chris Eddleton of Red Baraat on drums, and Avram on Sax, Bass Clarinet, and Flute. With a diverse lineup like this you know you’re about to take a journey; Deja Voodoo walks through what you might expect from the band name - a stellar journey with edgy performances that give the audience a chance to share the band's sense of experimentation, voyage, and danger. 

2018 Countdown | Beekman

Formed in 2012 at the 5th Estate sessions in Brooklyn, NYC, Beekman is a collective endeavor by saxophonist Kyle Nasser, pianist Yago Vazguez, bassist Pablo Menares, and drummer Rodrigo Recabarren. The quartet couples eclectic original compositions – steeped in jazz, rock, Latin, and classical – with dynamic group interplay into a sound that is international while remaining squarely in the realm of modern jazz. With members from three different continents, Beekman brings a plethora of influences to bear on its compositional and improvisational aesthetics.

This year Kyle Nasser and Beekman followed up their Ropeadope debut with a live record from their performances in San Francisco. There’s always talk of chops in Jazz, and of course they are there, but the capture of beekman’s live performance transcends critical thinking and just finds a comfortable place of musical enjoyment. Grab a beverage of your choice, relax, and just drift.


2018 Countdown | Stephanie McKay

Modern Icon Recordings is building something special, as Adrian Harpham brings his ear and intense production sensibilities to the game. His goal is to coax out the best in every artist, and this treasure from Stephanie McKay is a shining example. In her career, McKay has walked the challenging line between the pitfalls of fame and the real heart of musical expression. Her credits show her careful selection of collaborations; not just gigs but an organic evolution of her connections. Kelis, Amp Fiddler, Roy Hargrove, Brooklyn Funk Essentials, Yasiin Bey, Talib Kweli, DJ Spinna, and more – each has a specific individuality, and have held their art above commercial success. Her 2018 Album Song In My Heart finds McKay in a deep experimental and soulful place of expression. From the gentle and yearning ‘Quietly’, to the empowering title track, to the delightful, life affirming track Home, co-written with Stephanie’s son – Song In My Heart is gem to be held close at all times.  

2018 Countdown | Cee Knowledge

Craig Irving, the Philadelphia hip-hop vocalist better known as Cee Know the Doodlebug of the Grammy-winning hip-hop trio Digable Planets, adopted the moniker Cee Knowledge while studying the 5% Nation of Islam in 1988 at Howard University. Knowledge grew up in a city full of musical traditions from the cosmic jazz of the Sun Ra Arkestra to the new Philly soul of Bilal and Musiq Soulchild and the groundbreaking hip-hop of the Roots and Chill Moody. It was a place for Knowledge to absorb all kinds of music from early hip-hop and '70s funk to avant-garde jazz and new Philly soul. Knowledge's mind drifted south of Philadelphia for his funk sources in the music of Parliament-Funkadelic, the Bar-Kays, and Barry White. He first expressed his love of funk, jazz, and hip-hop together in Digable Planets, which won a Grammy for Best Rap Performance in 1993.

2018 marked the release of Alien-Aided - a Cosmic Funk anthology via Artists First Records and Ropeadope. The crew is on their game, with special guests Schoolly D, Cookie Rabinowitz, and many more. Get cosmic and funky, Y’all.

2018 Countdown | Adam & Kizzie

It’s been a hot minute since Adam & Kizzie have recorded, and in 2018 they revealed what they had been working on and we were simply stunned. We knew they had a fresh take on music, but the depths of their creative vision were on full display with The Book Of EEDO Vol 3. The lead single, Breathless, is a masterwork - funky, fun, and powerful as any pop hit, with a heavy dose of soul. The pure, universal honesty of a couple in love is expressed, with Adam beatboxing and rapping behind and between Kizzie’s lofty and longing vocals. This one’s a TOP pick from a big year here at Ropeadope, on repeat all the time. Dig in.

Justicia

Established as a bandleader, composer, and player with Conjunto La Perfecta, Eddie Palmieri presses forward yet again. Immersed in the New York scene and seeking to infuse the music with new sounds, Palmieri begins a new phase, bringing elements of funk and soul into the mix. He recorded four albums under the Tico label, which were considered to be his finest work to date. It is the second release, Justicia, which marks a distinct turning point; social commentary and politics. We can see the seeds from the previous response to Mozambique, but now the message is more direct; lyrically pointed with calls for justice for Boricuas and African Americans and ending with a message of unity and brotherhood. It is here we see the breadth of Palmieri’s understanding of the history of captives and slaves, and the diaspora that spreads music to fuel hope. The album seems to have inspired others on the scene, notably Tony Pabón's La Protesta and Manny Oquendo's Conjunto Libre.

Justicia tendrán, justicia verán en el mundo y los que deseamos, recompensa ellos verán, no serán, no serán perjudicados. Si no hubiera tiranía, todos fuéramos hermanos, dulce paz y armonía, alegría tu lo verás... Justicia tendrán, justicia verán en el mundo y los que deseamos, recompensa mi tambo, oye mi tambo la justicia yo reclamo... hay cuando llegará la justicia.

Eddie & Cal are Cooking

With his Conjunto La Perfecta in peak form, Palmieri continued in the studio with the great Cal Tjader to follow up El Sonida Nuevo. This time the gloves are off with some serious cookers from both camps, notably the title track Bamboleate and Tjader’s Samba De Los Suenho. With bassist Bobby Rodriguez holding the groove and a sense of wild abandon in both the rhythm and the vocals, Bambeolate feels like a wild street party in a place you’d love to be. By bringing the best of Palmieri’s Salsa band and Tjader’s Latin Jazz sensibility, this album feels like a major crossover moment in the history of both, and one can imagine the sixties NYC crowd embracing it as they search for new sounds.

The Cuban Embargo

We are digging back into the incredible life of Eddie Palmieri as we prepare to release Mi Luz Mayor (tomorrow!). All along the way we find gems as Eddie progresses and continues to express fierce independence and musical curiosity, coupled with a steady desire to fuse elements of different cultures. In 1966 he released Mambo Con Conga Is Mozambique, bringing powerful Cuban Rhythms into the mix. According to Historia de la Salsa de Hiram Guadalupe Perez, some Cuban exiles opposed the album, as any warming of tension between the US and Cuba at the time was not acceptable to them. The album was supposedly listed as a ‘communist product’ by the US Government. Quite a distinction, and perhaps a precursor to social and political dialogue around his music.

Coming up next; more from Cal & Eddie and the progression towards Justicia.

Enter Cal Tjader

If you’re just joining us we are celebrating Eddie Palmieri all week as we prepare for the release of Mi Luz Mayor, his second Salsa album of 2018.

Conjunto La Perfecta continued to ignite the Charanga dance craze on ballroom floors through the sixties, with extra trombone power and Palmieri’s signature fourth chord sound. Like so many bands of that time one can see the changes in photographs of the band members; slowly the traditional suits and clean cut hair gave way to a loose look and full experimentation and creativity were the norm. The great Cal Tjader saw the band in New York and soon he and Eddie were in Rudy Van Gelder’s studio to record El Sonido Nuevo (The New Sound). The results again changed the landscape of Latin music and Latin Jazz, fusing them and breaking them open at the same time. The pair drew on the Cuban Mozambique dance rhythm for certain tracks, and Eddie drew on both the Cuban influence of Machito and the big band style of Glenn Miller.

Next Up - More Mozambique…

Conjunto La Perfecta

As a young man Eddie Palmieri learned from his brother Charlie, accompanying him at talent contests and gigs. He studied piano, and soon his time would come to perform in the dance halls with the great Tito Rodriguez. It might seem as though he was ready to follow the scene, but soon his innate curiosity and fierce vision began to emerge. In 1961 Palmieri started his first band featuring Ismael Quintana on vocals - Conjunto La Perfecta - foreshadowing his life’s quest for musical perfection. With Charanga as the dance craze of the time, he flipped the big band lineup by replacing violins with trombones, creating one of, if not the most innovative groups of the time. On the liner notes to the debut album, Charlie Palmieri dubbed the style ‘Trombanga’. This subtle but powerful change led a whole new movement as other bandleaders adopted the new sound. And yet, this is just the start of Eddie Palmieri’s experimentation.

Up next, the blending of style gets deep…

Saludando al maestro

EVERY DAY we are thankful that the great Eddie Palmieri has entrusted us with his recordings; albums that represent his continuous search for perfection in music. It began last year with the Latin Jazz classic Sabiduria, and continued in 2018 with Salsa albums Full Circle and Mi Luz Mayor. And so we salute Mr. Palmieri, with highlights from his career each day as we lead up to Friday’s release of Mi Luz Mayor. First, some history:

Born in 1936 in New York, Mr. Eddie Palmieri is a bandleader, arranger, and composer who has skillfully fused the rhythm of his Puerto Rican heritage with the complexity of his jazz influences. He gained international attention as a pianist in the 1950’s, playing with Eddie Forrester and the popular Tito Rodriguez Orchestra, among others. In 1961 he formed La Perfecta, featuring an unconventional front line of trombones that created a new sound, mixing American Jazz into Afro-Caribbean rhythms and leading to the trombone-heavy Salsa explosion in the 1970s.

Throughout the 60s and 70s Mr. Palmieri continued to surprise fans and critics with his unique sound – in 1970 he released the epic ‘Harlem River Drive’, merging Black and Latin music into a free-form sound that seamlessly blends elements of funk, soul, rock, salsa, and jazz. In 1975 Mr. Palmieri was awarded the very first Grammy for Best Latin Recording; this would be the first of ten Grammys over the next 30 years. His lyrics and arranging style have influenced countless musicians from a diverse array of settings, including Chick Corea, Ruben Blades, Willie Colon and the Fania All Stars, Christian McBride, and hip hop pioneer Bobbito Garcia.

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2018 Countdown | Sasha Masakowski

It’s good to have a little fun ya know, and while we take the music seriously we were super excited for this record from Sasha Masakowski. Playful, eccentric, but with all the chops one would expect from a progressive Jazz musician, Sasha’s 2018 release Art Market brings a range of style with instant classics like ‘Juicy Booty Song’ and ‘Sister’, but it was her version of the New Orleans staple Jockamo that grabbed our attention. The song has a storied history, and Sasha re-imagines it from a woman’s perspective without losing the spirit. Dig in to Art Market right here.

2018 Countdown | Tommaso Cappellato

Tommaso embodies the art form: gentle, flowing, dignified yet absolutely curious. A traveler with a message who is just as comfortable in his native Padova, Italy, as he is in a New York studio. A student of the drum and the rhythm, and a man who embraces technology as it applies to music. He came to Ropeadope via Mark de Clive-Lowe’s imprint Mashibeats, delivering his acclaimed debut album Aforemention, in 2016 and this year he reworked the project with remixes that developed through random encounters on his tour of the world. Nia Andrews, Natalie May, and more bring the album out of the studio and into the world in a soulful way. Drop in right here for both albums.

2018 Countdown | Eric Binder Trio

An interesting and subtle album of 2018 is this one from The Eric Binder Trio. His debut on Ropeadope caught some great attention from the Jazz community, and this year Eric returned with a tribute to Malcolm Cecil, with Cecil on the record! Malcolm Cecil played with greats in the UK - Ronnie Scott and The Jazz Five, Johnny Griffin, Stan Getz, and many more. But his career led him to a gig behind the console, as he became a skilled producer and engineer for artists including Stevie Wonder, Weather Report, The Isley Brothers and others too numerous to mention here. Eric Binder believes that Malcolm Cecil’s bass playing was overlooked as a result, and on The Malcolm Cecil Project he highlights just that. Rounding out the trio is NY tenor Joel Frahm, a perfect complement for the project. This is a classic Jazz project in the best way - the young gun paying tribute to the art, and a man who carried the art forward in the best way. Dig In.

2018 Countdown | Project K-Paz

 Infinity Gritty delivered this one from Project K-Paz, the brainchild of Alvaro Kapaz and Pablo Eluchans. The trio is formed with the addition of Adam Ahuja, and their 2018 album Post-Something, brings purely improvisational music inspired by deep reflection on our times.

'We are in a controversial era, when the world seems easily polarized and tensions quickly rise. But the future lies in the hands of the new generations, who bring us hope of a reality that will build bonds out of bleak surroundings, turning our differences into strengths, and discover a new unity for our humanity. How we as humans choose to deal with sadness, loss, excitement, madness, joy, love.' (Project K-Paz)

Post-Something was recorded in one night with Infinity Gritty alum and general wizard of all recording things E. Scott Lindner