Andrew finn Magill

Steeped in Irish music from the beginning, Andrew Finn Magill has balanced on the line between fiddler and violinist, with his first two records garnering critical and popular acclaim. What next? Move to Brazil of course! Fall in love with Forro, Samba, and Bossa Nova; play with the best and earn your chops all over again. Finn has done just that and brings us Canta Violino -  a deep dive into music discovery across culture and genre. The beauty of this music is that we get to experience the new-ness and excitement of Finn's journey as we listen. Canta Violino hits on April 6, 2018


release date: april 6, 2018

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About Andrew finn magill

Andrew “Finn the Fiddler” Magill has straddled the tenuous line of “fiddler” and “violinist” for the better part of his thirty years. Raised in an Irish musical household in Asheville, North Carolina he grew up studying with many of the world’s best traditional American and Irish
fiddlers at The Swannanoa Gathering music workshops. At age 18, his debut album Drive & Lift was featured multiple times on NPR and his 2016 two-disc project Roots and Branches debuted at #46 on the Folk DJ charts. Says grammy-winner Americana artist Tim O’Brien:
“He has learned from and now plays with the best in the genre. On Branches you can hear a new musical voice emerging. I’m gonna keep listening for Finn Magill.”

In 2014 Finn moved to Rio de Janeiro and plunged head on into Brazilian choro music, studying with some of the most accomplished in the genre including Luís Barcelos, Nicolas Krassik and Pedro Paes. Gradually absorbing other Brazilian traditions such as forró, samba, and bossa nova, Canta, Violino! is the product of years of study and performance with Rio’s diverse musicians. Writes Brazilian percussion legend Airto Moreira of Weather Report and Miles Davis:

“Its nice to see fresh, young musicians carrying on the traditions of Brazilian music. Finn Magill displays a love and authenticity that can fool you into thinking he is from Brazil. His style is playful and light, yet soulful and passionate. Congratulations!”

Magill merges his folk background and more than fifteen years of jazz study with the Brazilian musical language he has spent the last three years studying, all on an instrument seldom associated with Brazilian music: the violin. The result is uncharted territory for both the violin and Brazilian music.