Beginning 100 years after the first jazz recording, Christian Scott aTunde Adjuah announced The Centennial Trilogy : three full length albums that reflect deeply on the history of Jazz. In his words, Christian was ‘trying to create a document that fully acculturated all of the things that grew from the first century of jazz…. To force all of those things into one context as a means of creating a newer, larger context for artists to be able to grow from’
The scope of the trilogy is not limited to the music; Christian is using broad strokes to present his vision of the world. Growing up in the upper ninth ward he witnessed people enduring the same challenges regardless of their race or ethic background. Undereducated to serve the tourist culture, facing food insecurity and viewing each other as different because of the lens of race. He understood that race was and is a social construct, and saw that people could be working together to build and move forward.
The first release in the trilogy, Ruler Rebel, vividly depicts Adjuah's new vision and sound - revealing Adjuah to the listener in a way never heard before via a completely new production methodology that Stretches Trap Music with West African and New Orleanian Afro-Native American styles. Ruler Rebel is set for pre-order on 2/17/17, to coincide with the first annual Stretch Music Festival at Harlem Stage. The Stretch Music Festival, created and curated by Adjuah, explores the boundaries of Stretch, Jazz, Trap, and Alternative Rock with some of music’s most poised and fiery rising stars. The festival consists of five days of events, culminating with concerts on February 17th and 18th at Harlem Stage with performances by Butcher Brown, Braxton Cook, Venus, The Bridge Trio, Sarah Elizabeth Charles, and Matthew Stevens.