The Countdown 2017 | Jim Stephens

Jim Stephens is the kind of guy you can’t size up. Upbeat with a classic Irish smile, with a little bit of mischief and at least as much heartbreak in his eyes. Salt of the earth with a good amount of spice, Jim Stephens is anachronistic, hearkening back to a time of real men and real grit. Or maybe he’s one of the real seeds that we look to when our transparent copies of life are wearing thin.  Or maybe it’s all still real – the heartbreak, the saloons, the gritty life on the street, the dust bowl of humanity that we all miss while we’re busy daydreaming inside the matrix.

And so, it is Jim Stephens that purposefully takes us back to the core with his upcoming release, Boxcar Blues. Deliberately acoustic, deliberately lo-fi, Jimmy wanted to capture the raw feel of the old days with the simple purpose of pointing out that they still exist under the polish and sheen. When asked about the recording, Jimmy says is best:

'It is the foundation, the content, the art form, the desperation, the darkness, the honesty, the root of that all American music has stemmed from. So am I saying that I made a 1940's chitlin’ circuit record in 2017 …? Well, maybe I am. And maybe that is needed today. In style, content, education, and the literal for folks looking in the mirror of the human condition addressing suicide, abuse, addiction, and fear of themselves, and others leaving this world alone and dumped into a state-run Paupers grave.'

            There is a certain jarring feeling when you first listen to Box Car Blues, as if the mind and body are trying to avoid an uncomfortable truth. Like all great music, a few more listens reveal the beauty within. One can reference Son House, Skip James, Blind Willie McTell, Townes Van Zandt,  or even early Beck. We encourage you to take it for a spin and let the honesty of this record breathe in your ears and in your mind.

The Countdown 2017 | La Pingos Orquestra

Todd Clouser and Hernan Hecht continue to lead the way to new and exciting music from Mexico and beyond under the Ropeadope Sur banner. LA PINGO´S ORQUESTA is the latest - a Jazz band straight from the streets of Aguascalientes, La Pingos members bring a swirling variety of sounds into their new album, Peregrino; classical percussion, argentine tango, balkan music with Jazz, swing and rock intertwined. This is fusion of the mopst diverse order, with a decidedly latin delivery. Bandcamp chose Peregrino as one of their top Jazz albums of 2017:

Whether the influence is Argentine tango, Latin American folk, manouche, Balkan, or NYC jazz, La Pingo’s Orquesta channels it all with a motion powered by joy. This sextet from Aguascalientes, Mexico are equally adept at triggering a tango as they are a waltz or tropanka, and trading ballad for bop for bossa. And all of it is channeled through a lens of folk music, a quality that gives all that motion some essential definition and provides the music an earthy soulfulness to balance out its euphoric joy. (Dave Sumner, Bandcamp)

The Countdown 2017 | E. Scott Lindner

Ropeadope Artist Adam Ahuja stepped right into the label world with the launch of Infinity Gritty, a music community, think tank, and consultancy organization that release great music as well. The first album from the new project is a self titled gem from E. Scott Lindner, released on July 28th. A New York City based producer, Scott assembled 2 drummers, percussion, upright/electric bass, trumpet, saxophone, Rhodes, B3 organ, synths, and electric guitar.  He booked a studio for 3 full days, and in that time, the musicians collaboratively wrote and recorded 8 compositions which were then performed and recorded live in the studio. The result is stunning. 

The Countdown 2017 | (U)nity

This record. Powerful, intricate, filled with layers of groove and intensity.(U)nity is that band that every musician digs, and just to demonstrate they popped a voicemail from Robert Glasper into the middle and flipped it Cuban style. If you go back and give your attention to one album from 2017, this is the one. 

The core: Michael ValeanuAxel Tosca LaugartChris SmithMax Cudworth and Amaury Acosta have created an unlikely collaboration, ranging from a multitude of cultural backgrounds: Paris, Havana, Minneapolis, Providence and NYC. In their mission of fusing Afro Cuban culture with modern jazz, soul, hip-hop and gospel.

(U)nity is Power features Pino Palladino, Cuban percussionist and vocalist Pedrito Martinez, multi-instrumentalist Devonne Harris (AKA DJ Harrison), vocalists Jonathan HoardLauren Desberg, flutist Elena Pinderhughes, and bassists Luques CurtisDj Ginyard, and Joshua Crumbly